Sunday, February 27, 2022

CLXXIX. MUSSORGSKY, Modest: Boris Godunov

CLXXIX. MUSSORGSKY, Modest (1839-1881)

Boris Godunov (1868-73)
Boris Godunov: Evgeny Nesterenko
Grigory Otrepyev (False Dimitrii): Vladislav Piavko
Marina Mnishek: Irina Arkhipova
Pimen: Valery Yaroslavtsev
Prince Shuiskii: Andrey Sokolov
Innkeeper: Larisa Nikitina
Tsarevich Fyodor: Glafira Koroleva
Tsarevna Xenia: Galina Kalinina
Nurse: Nina Grigorieva
Father Varlaam: Artur Eizen
The Holy Fool: Alexey Maslennikov
Bolshoi
Leonid Baratov, cond.
(2:41:05)


My notebook was perched on the ledge of Nadia Boulanger's piano. I was trying to concentrate on my figured bass realizations, while my hands tried to reproduce what I had written.

I felt a slap on my wrist.

"Are you unzer di tabla?"

"I beg your pardon, Madamoiselle?"

"Are you unzer di table, or what?"

I usually had no problems understanding her English, which she insisted on using with all her American pupils. But now I was at a loss.

"Unzer di tabla?

She pointed to the emptiness of the intricate 19th-century carpet that lay beneath the piano.

"Under the table?" I gasped, finally understanding.

"Yes, just so." She relaxed and pulled on my beard so that she could see my face a little (she was almost completely blind) ...

"I tell you story," she began. "My mother (Raissa Myshetskaya, a Russian princess) used to have the big dinner parties, and once she invited Mussorgsky. By dessert, he was unzer di tabla. He was such a drunkard."

Are you drunk?

She had returned to her previous stern pedagogical posture, and was pointing at my notebook propped up on the piano ledge, as if it were a diseased carcass.

I immediately saw my mistake. Parallel fifths. About the worst sin one could commit in chorale realizations. I grabbed my pencil and quickly rewrote the alto and tenor parts.

"Ah, that's better," she smiled.

Everything was always better once you had learned something.

**


The history behind the writing, performance and re-orchestration of this opera -- and its many "versions" is beyond complicated. Rimsky-Korsakov, Ippolitov-Ivanov and Shostakovich all worked on it, as some point.

"Mussorgsky has marvelously orchestrated moments, but I see no sin in my work. I didn't touch the successful parts, but there are many unsuccessful parts because he lacked mastery of the craft, which comes only through time spent on your backside, no other way." -- Shostakovich

This appears to be the 1908 version, worked on by Rimsky-Korsakov.




The Coronation Scene (15:05)






































Later:






































Sounds a little like the Promenade from Pictures:



This is the only Russian/English libretto I could find online.

No comments:

Post a Comment

INDEX to 1000 POSTS CLASSICAL BLOG A-M

N-Z ABRAHAMSEN, Hans / 10 Pieces for Orchestra / DCCCXCV ADAMS, John / Century Rolls / XXXVII ADAMS, John / Harmonielehre / CXXI ADAMS, John...