Wednesday, February 23, 2022

CLXXV. SHOSTAKOVICH, Dmitri: Symphony #11 in G Minor, Op. 103 ("The Year of 1905")

CLXXV. SHOSTAKOVICH, Dmitri (1906-1975)

Symphony #11 in G Minor, Op. 103 ("The Year of 1905") (1957)
1. Adagio (The Palace Square)
2. Allegro (The 9th of January)
3. Adagio (Memory Eternal)
4. Allegro non troppo (Tocsin)
BBC National Orchestra of Wales
Thomas Søndergård, cond.
(1:01:00)


The Tenth -- written in the same year as Stalin's death -- failed to completely rehabilitate Shostakovich's reputation following the 1948 denunciation (the Zhadanov Doctrine); so he composed this lengthy orchestral hymn about the 1905 Revolution, and was awarded the Lenin Prize.

Although it may seem propagandistic, there is much to like about the work, including the extensive use of transformative folk-songs incorporated into the orchestral palette.

The symphony is played without pauses between movements ...

First Movement

On Sunday, January 22, 1905, a huge contingent of striking workers tried to deliver a petition to the Tsar. This opening reflects the eerie quiet of the morning before the disaster. The timpani and trumpet tell of a foreboding feeling ...























Things remain tense. Trumpets and drums heralds the coming disaster:















Second Movement

"The 9th of January" title refers to the Old Style calendar (O.S.) ...

The tempo picks up, but the music remains troubled; a unison clarinet/bassoon line floats over the rapid string passages:





































The texture thickens, but the melancholy theme remains. He modulates to the parallel minor (B-Flat Minor); the timpani provides ghostly accompaniment ...


















The movement accelerates into several crashing climaxes with the drums punctuating the full orchestra in tutti fortissimo. Only after a long working out does Shostakovich return to the mournful timpani triplets, which takes us into the third movement:



































Third Movement

with this mournful theme in the violas:



































Fourth Movement

A tocsin is an alarm bell. The brass announce a staccato theme with urgency, followed by low strings. Soon the whole orchestra is involved ...
























The symphony concludes with an all-out assault on G Minor!



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