CCLXXXVIII. BACH, J.S. (1685-1750)
One of Bach's most beautiful cantatas (and most frequently performed), BWV 140 is another fine example of the Master's fluency with marrying text and music, glorifying God and Man's relationship to the divine.
1. Coro: Wachet auf, ruft uns die Stimme
Philipp Nicolai's original Lutheran hymn (1599)
The chorale fantasia uses the first verse of the hymn, the cantus firmus in the soprano (red arrow):
In this fugato section, the orchestra plays in the dotted-eighth style of the French overture, while the altos begin a melisma on the word alleluia (blue arrow):
John Eliot Gardiner:
John Eliot Gardiner:
"As this rising syncopated figure emerges, the altos enter with the alleluia figure, which is adopted by all the other singers. If anyone in the posh world of classical music ever doubted that J.S. Bach could also be considered the father of jazz, here is the proof."
2. Recitativo (Tenore): Er kommt, der Bräutgam kommt
Er kommt
Der Bräutgam kommt
Ihr Töchtre Zions, komm heraus
He comes
The Bridegroom comes!
And Zion's daughter shall rejoice
Der Bräutgam kommt
Ihr Töchtre Zions, komm heraus
He comes
The Bridegroom comes!
And Zion's daughter shall rejoice
3. Aria (Duetto: Soprano/Seele, Basso/Jesus): Wann kömmst du, mein Heil?
A duet between the Soul and Jesus -- accompanied by the flowing obligatto piccolo violin:
Wann kömmst du, mein Heil?
Ich komme, dein Teil.
Ich warter mit brennendem Öle
Eröffne den Saal
Ich komme, dein Teil.
Ich warter mit brennendem Öle
Eröffne den Saal
Come quickly, now come
Yea quickly I come
We wait thee with lamps all alighted!
The doors wide open
Yea quickly I come
We wait thee with lamps all alighted!
The doors wide open
4. Choral (Tenore): Zion hört die Wächer singen
Zion hört die Wächer singen
Das Herz tut ihr vor Freuden springen
Zion hears the watchmen calling
The Faithful hark with joy enthralling
Zion hört die Wächer singen
Das Herz tut ihr vor Freuden springen
Zion hears the watchmen calling
The Faithful hark with joy enthralling
This famous melody -- played in unison with the violins and viola -- accompanies the tenors singing the cantus firmus, which often begins in the middle of the strings' melodic phrase ...
So geh herein zu mir
Du mir erwählte Braut!
So come thou unto me
My fair and chosen bride
6. Aria (Duetto: Soprano, Basso): Mein Freund ist mein! Und ich bin sein!
Du mir erwählte Braut!
So come thou unto me
My fair and chosen bride
Picturing the unity of the bridegroom and the "chosen bride."
Mein Freund ist mein!
Und ich bin sein!
Und ich bin sein!
Die Liebe soll nichts scheiden!
Ich will mit mir in Himmels Rosen weiden
Ich will mit mir in Himmels Rosen weiden
Thy love is mine
And I am thine!
True lovers ne'er are parted
Now I with thee, and thou with me
And I am thine!
True lovers ne'er are parted
Now I with thee, and thou with me
Notice how they alternate phrases and then sing together ... very beautiful duet:
7. Choral (Coro): Gloria sei dir gesungen
Gloria sei dir gesungen
Mit Menschen und englischen Zungen
Gloria sing all our voices
With Angels all mankind rejoices
Mit Menschen und englischen Zungen
Gloria sing all our voices
With Angels all mankind rejoices
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