CXXI. ADAMS, John (1947- )
First Movement
What Adams calls "choral gates" begins with a massive E minor chord spread out among the entire large orchestra, with the upper winds playing harmonized arepeggios.
The music gradually shifts keys as little motifs:
jump on top of the repetitive chords. Soon a melodic strain in the winds soars above the eighth-note arpeggios, now in the lower strings -- staccato notes from the trumpets ...
Second Movement
Basses, divisi a 4, rumble out carefully spaced chords, while muted celli proclaim a slithering melody.
Tension builds as motifs ascend:
and descend:
Third Movement
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