CXLV. VIVALDI, Antonio (1678-1741)
First Movement
Nothing too complex here -- just tonic, dominant, with an occasional subdominant!
Yet, what joy such simplicity elicits! Just look at the writing for strings -- the Seconds playing a third above the Firsts, and the violas moving in contrary motion, forming a I-V-I with those three eighth-notes.
Second Movement
In the relative minor (F), this largo cantabile does indeed sing. Vivaldi's harmonic language here is richer and more varied ...
Third Movement
Again, Vivaldi showcases his crystalline use of simple triads accompanied by a continuo-style cello part to spin out such delightful melodies. It is all nicely developed and recapitulated.
Gallois and Orpheus are superb.
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