CCI. HAYDN, Franz Joseph (1732-1809)
First Movement
A simple theme in unison:
Later inverted:
Second Movement
and as the variations follow, look how he sends the first violin into the air!
and the others also take flight:
and in the final variation, a delightful interplay, with the first lightly skipping up the scale:
Third Movement
Look how he inserts 8th-note triplets in the very last bar of the minuet, and then continues the idea in the trio:
Fourth Movement
A unison 6/8 Presto that moves along quickly;
a 1/4-note canon in cello & viola that flies into a flourish of clever modulations, before he returns to a traditional IV-V-I finale.
From an academic standpoint, it is very interesting to see how Haydn greatly influenced Beethoven -- in the way he used off-beat sforzandi, the first violin flying above the accompaniment, and the strong sense of a rooted tonality which -- nevertheless -- is constantly surprising, and of course the masterful use of the quartet sonority.
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