CCXCVII. MOZART, Wolfgang Amadeus (1756-1791)
The product of a young seventeen-year-old:
First Movement
These trill figures are predominant throughout.
Second Movement
The 16th-note triplets are a nice touch. Especially, when he sets them against the duple rhythm:
Third Movement
Mozart was studying Haydn quartets, particularly Opus 9, published a few years prior. Note the borrowing of the first five notes of the Haydn:
Fourth Movement
Here is something really special -- a fugato with a descending chromatic line. This was a favorite Bach trick [see The Musical Offering, BWV 1079 {Post CXXXVI}] ...
and Mozart pulls it off with astonishing skill.
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