DLX. BEETHOVEN, Ludwig van (1770-1827)
Despite its publication as the third of the set of six, this was the first quartet that Beethoven composed. He did not embark upon the task lightly -- he carefully studied many works of Haydn and Mozart in preparation for the daunting form.
In this D Major delight, we have one of his finest early works:
First movement
Two 1/2-notes describing a minor seventh indicate the dominant, moving to the tonic in bar two. Later, he'll use both a minor third and perfect fourth in similar fashion:
A modulation to C Major:
These intense C-Sharp Major bars lead back to the tonic for only the briefest moment!
Second movement
which makes the move to B-Flat Major less surprising (and the two motifs are vaguely related):
A lovely sweeping cello/viola run in thirds (note the E-Flat/D clash!) and a bunch of fake-out modulations, first to B-Flat, then E-Flat and finally a brief stop on D-Flat Major.
Third movement
A lovely little scherzo. Look how D Major turns into an implied B Minor by the final F-Sharp Major false dominant in the final bar of the repeat!
The Trio is in the minor, and the movement returns to the major for its conclusion.
Amusingly -- and certainly coincidentally -- the first nine notes are the same as the Mexican Hat Dance!
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