DXCIX. CHERUBINI, Luigi (1760-1842)
Beethoven considered the Italian prodigy the "best of his contemporaries." As far as Cherubini's six string quartets are concerned, Beethoven could only have been familiar with the First (1814); the next five were all composed after Beethoven's death.
I called the Second tepid, but the Third is much more interesting.
First movement
A seven-note motif in the first violin swings upwards then down. Triplets are followed by soft accompaniment, the a fermata puts a hold on everything.
This pausing -- allowing for complete silence -- is a feature of the quartet; it appears frequently.
We soon land upon the relative F Major. (much of the quartet is in this sunnier key!)
Second movement
Larghetto, but the rhythmic values soon create faster movement:
More pausing:
Cherubini means business! pppp:
Third movement
This scherzo is really delightful. It begins with cutesy fugato-like interplay between the cello and viola:
then again the pause before a delicate first violin solo in the parallel major with pizzicato accompaniment:
Fourth movement
More fermatas!
and one last pause before the Beethoven-esque triumphant ending ...
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