Tuesday, April 30, 2024

CMLXXII. HAYDN, Franz Joseph: Twelve Minuets

CMLXXII. HAYDN, Franz Joseph (1732-1809)

Twelve Minuets (1792)
1. D Major
2. B-Flat Major
3. G Major
4. E Major
5. C Major
6. F Major
7. D Major
8. E-Flat Major
9. C Major
10. G Major
11. F Major
12. D Major
Unknown performers
(29:34)

Monday, April 29, 2024

CMLXXI. RAVEL, Maurice: Daphnis et Chloé

CMLXXI. RAVEL, Maurice (1875-1937)

Daphnis et Chloé (1912)
Part I
1. Introduction et Danse religieuse
2. Danse générale
3. Danse grotesque de Dorcan
4. Danse légère et gracieuse de Daphnis
5. Dance de Lycéion
6. Danse lente et mystérieuse des Nymphes
Part II
7. Introduction
8. Danse guerrière
9. Danse suppliante de Chloé
Part III
10. Lever du jour
11. Pantomime
12. Danse Générale
WDR Radio Choir
WDR Symphony Orchestra
Jukka-Pekka Saraste, conductor
(55:23)

Today, the entire orchestral score is rarely performed in its entirety -- instead one of two suites (prepared by the composer) is heard -- each consisting of just three of the ballet movements.

This is Ravel's great masterpiece -- filled with lush, whole-tone harmonies typical of the period.

Part I

1. 
Introduction et Danse religieuse






















2. Danse générale






















3. Danse grotesque de Dorcan








































4. Danse légère et gracieuse de Daphnis






















5. Dance de Lycéion








































6. Danse lente et mystérieuse des Nymphes






















Part II

7. Introduction























8. Danse guerrière








































9. Danse suppliante de Chloé






















Part III

10. Lever du jour






















11. Pantomime






















12. Danse Générale







Saturday, April 27, 2024

CMLXIX. HAYDN, Franz Joseph: Sonata #38 in F Major for Piano

CMLXIX. HAYDN, Franz Joseph (1732-1809)

Sonata #38 in F Major for Piano (1773)
1. (Moderato) (4:37)
2. Adagio (5:45)
3. Finale: Presto (3:39)
Vladimir Horowitz, piano

1. (Moderato)






















2. 
Adagio





















3. 
Finale: Presto



Friday, April 26, 2024

CMLXVIII. MOZART, Wolfgang Amadeus: Serenade #6 in D Major ("Serenata notturna"), K. 239

CMLXVIII. MOZART, Wolfgang Amadeus (1756-1791)

Serenade #6 in D Major ("Serenata notturna"), K. 239 (1776)
1. Marcia (4:24)
2. Menuetto (3:49)
3. Rondeau (Allegretto -- Adagio -- Allegro) (4:32)
Academy of St Martin in the Fields
Neville Marriner, cond.

\

1. Marcia





















2. Menuetto










3. Rondeau (Allegretto -- Adagio -- Allegro)

Thursday, April 25, 2024

CMLXVII. SHOSTAKOVICH, Dmitri: Prelude and Fugue #15 in D-Flat Major, Op. 87

CMLXVII. SHOSTAKOVICH, Dmitri (1906-1975)

Prelude and Fugue #15 in D-Flat Major, Op. 87 (1950-51)
1. Prelude (2:53)
2. Fugue (1:42)
Vladimir Ashkenazy, piano

Prelude

A lovely waltz, sardonic and ever-so-grotesque:



















with an ending that plays with a raised suspended tonic before resolving.








Fugue

This is some far-out stuff.

The 2nd and 4th entrance on the dominant, with unequal durations (6/12).










































Wednesday, April 24, 2024

CMLXVI. BRANT, Henry: Ice Field

CMLXVI. BRANT, Henry (1913-2008)

Ice Field (2002)
Cameron Carpenter, organ
San Francisco Symphony
Michael Tilson Thomas, cond.
(24:31)

Tuesday, April 23, 2024

CMLXV. ROUSSEL, Albert: Suite in F

CMLXV. ROUSSEL, Albert (1869-1937)

Suite in F (1926)
1. Prelude
2. Sarabande
3. Gigue
Royal Scottish National Orchestra
Stéphane Denève, cond.
[scrolling score]
(14:03)

Monday, April 22, 2024

CMLXIV. STOCKHAUSEN, Karlheinz: Gruppen for Three Orchestras

CMLXIV. STOCKHAUSEN, Karlheinz (1928-2007)

Gruppen for Three Orchestras (1955-57)
Orchestre du Conservatoire de Paris
Ensemble Intercontemporain
Matthias Pintscher, cond.
Paul Fitzsimon, cond.
Bruno Mantovani, cond.
(24:30)

Sunday, April 21, 2024

CMLXIII. BRUCKNER, Anton: Symphony #4 in E-Flat Major ("Romantic")

CMLXIII. BRUCKNER, Anton (1824-1896)

Symphony #4 in E-Flat Major ("Romantic") (1874)
1. Bewegt, nicht zu schnell
2. Andante quasi Allegretto
3. Scherzo. Bewegt -- Trio. Nicht zu schnell. Keinesfalls schleppend -- Scherzo
4. Finale. Bewegt, doch nicht zu schnell
Frankfurt Radio Symphony Orchestra
Eliahu Inbal, cond.
[scrolling score]
(1:08:24)

[performance]
(1:09:34)

Saturday, April 20, 2024

CMLXII. PROKOFIEV, Sergei: 10 Pieces for Piano, Op. 12

CMLXII. PROKOFIEV, Sergei (1891-1953)

10 Pieces for Piano, Op. 12 (1906-13)

Two versions

1. March
2. Gavotte
3. Rigaudon
4. Mazurka
5. Capriccio
6. Legenda
7. Prelude
8. Allemande
9. Humoresque scherzo
10. Scherzo
Frederic Chiu, piano
[scrolling score]
(24:07)



Brass Septet arrangement
Septura

1. March (1:42)



2. Gavotte (2:47)



8. Allemande (3:11)



9. Humoresque scherzo (2:45)

Friday, April 19, 2024

CMLXI. BOLDEMANN, Laci: 4 Epitaphs, Op. 10

CMLXI. BOLDEMANN, Laci (1921-1969)

4 Epitaphs, Op. 10 (1952)
1. Sarah Brown (3:54)
2. Ollie McGee (2:40)
3. Mabel Osborne (5:10)
4. William and Emily (2:13)
Anne Sofie von Otter, mezzo-soprano
Gothenburg Symphony Orchestra
Kent Nagano, cond.

Four songs from Edgar Lee Masters's Spoon River Anthology:

1. Sarah Brown

Maurice, weep not, I am not here under this pine tree
The balmy air of spring whispers through the sweet grass
The stars sparkle, the whippoorwill calls
But thou grievest, while my soul lies rapturous
In the blest Nirvana of eternal light!
Go to the good heart that is my husband
Who broods upon what he calls our guilty love: --
Tell him that my love for you, no less than my love for him
Wrought out my destiny -- that through the flesh
I won spirit, and through spirit, peace
There is no marriage in heaven
But there is love

2. Ollie McGee

Have you seen walking through the village
A man with downcast eyes and haggard face?
That is my husband who, by secret cruelty
Never to be told, robbed me of my youth and my beauty;
Till at last, wrinkled and with yellow teeth
And with broken pride and shameful humility
I sank into the grave
But what think you gnaws at my husband's heart?
The face of what I was, the face of what he made me!
These are driving him to the place that I lie
In death, therefore, I am avenged

3. Mabel Osborne

Your red blossoms amid green leaves
Are drooping, beautiful geranium!
But you do not ask for water
You cannot speak! You do not need to speak --
Everyone knows that you are dying of thirst
Yet they do not bring water!
They pass on, saying:
"The geranium wants water"
And I, who had happiness to share
And longed to share your happiness;
I who loved you, Spoon River
And craved your love
Withered before your eyes, Spoon River --
Thirsting, thirsting
Voiceless from chasteness of soul to ask you for love
You who knew and saw me perish before you
Like this geranium which someone has planted over me
And left to die

4. William and Emily

There is something about Death
Like love itself!
If with some one with whom you have known passion
And the glow of youthful love
You also, after years of life
Together, feel the sinking of the fire
And thus fade away together
Gradually, faintly, delicately
As it were in each other's arms
Passing from the familiar room --
That is a power of unison between souls
Like love itself!

Thursday, April 18, 2024

CMLX. KOLB, Barbara: All in Good Time

CMLX. KOLB, Barbara (1939-       )

All in Good Time (1993)
Foundation Philharmonic Orchestra
David Snell, cond.
(10:41)

Wednesday, April 17, 2024

CMLIX. HAYDN, Franz Joseph: Stabat Mater

CMLIX. HAYDN, Franz Joseph (1732-1809)

Stabat Mater (1767)
1. Stabat Mater dolorosa
2. O quam tristis et afflicta
3. Quis est homo qui non fleret
4. Quis non posset contristari
5. Pro peccatis suae gentis
6. Vidit suum dulcem natum
7. Eja Mater, fons amoris
8. Sancta Mater, istud agas
9. Fac me vere tecum flere
10. Virgo virginum praeclara
11. Flammis orci ne succendar
12. Fac me cruce custodiri
13. Quando corpus morietur
14. Paradisi gloria
Sophie Karthäuser, soprano
Sophie Harmsen, alto
Steve Davislim, tenor
Arttu Kataja, bass
Zürcher Sing-Akademie
Kammerorchester Basel
René Jacobs, cond.
(1:01:13)

The Stabat Mater is a Christian hymn which dates back to the 13th century.

Haydn's setting is magnificent. No spritely gavottes, nor bat-out-of-hell rondo finales -- but a serious vocal work with terrific writing for the soloists.

There is a constant strain of chromaticism which weaves through the work; there are typically impeccable fugues; nice short cadenzas.

This is an important work in the sacred large-force vocal work tradition of the 18th century ...

1. Stabat Mater dolorosa





















2. O quam tristis et afflicta





















3. Quis est homo qui non fleret





















4. Quis non posset contristari





















5. Pro peccatis suae gentis





















6. Vidit suum dulcem natum





















7. Eja Mater, fons amoris





















8. Sancta Mater, istud agas





















9. Fac me vere tecum flere





















10. Virgo virginum praeclara





















11. Flammis orci ne succendar





















12. Fac me cruce custodiri





















13. Quando corpus morietur





















14. Paradisi gloria


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