C. BEETHOVEN, Ludwig van (1770-1827)
Kids, back in the old days there were only three television stations -- four, if you included PBS.
If you wanted to know what was happening in the world, you didn't turn on CNN or thumbscroll down the Twitter line at any time of day -- you turned on CBS to watch Walter Cronkite or NBC to watch The Huntley-Brinkley Report at exactly the same time every night.
You got 30 minutes of news, and then:
"Good night, Chet. Good night, David. And good night, for NBC News."
Then came the thundering sound of the 1952 Toscanini recording of the second movement of this -- the greatest symphony ever written -- as the credits rolled.
My hometown Pittsburgh Symphony had a tradition of bringing along the Mendelssohn Choir and ending each season with this mighty, mammoth work.
And it is gargantuan, sprawling, intriguing, mysterious, spectacular, achingly beautiful and profound.
The vocal soloists and chorus wait patiently for 45 minutes, as they have no part in the first three movements.
The last movement begins with a mighty roar, before settling down to the famous theme:
Sondern laßt uns angenehmere anstimmen,
und freudenvollere.
Let us instead strike up more pleasing
and more joyful ones!
Diesen Kuß der ganzen Welt!
Brüder, über'm Sternenzelt
Muß ein lieber Vater wohnen.
Be embraced, you millions!
This kiss is for the whole world!
Brothers, above the canopy of stars
must dwell a loving father.
**
It doesn't get any better than that.
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