CLXXXIV. BEETHOVEN, Ludwig van (1770-1827)
Compare this to the opening phrase of Mahler's First (Post XXI):
Amazing coincidence, huh?
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Beethoven gets things moving with a forceful simple V-I progression, followed by a bouncy theme in the violins:
then in the development, there's this weirdly unstable V-I to D Major!
An absolutely amazing enharmonic transition from a vii°/V to an F-Sharp Major (dominant) in B Major (with a little timpani solo added in!) before he slides back to B-Flat in a 6/4 position ...
Second Movement
A beautiful cantabile Adagio:
Third Movement
A rousing scherzo:
and a slightly melancholy Trio:
Fourth Movement
Bat-out-of-hell tempo; delightful trade-off between strings and winds, and a melody of mostly arpeggiated 16th-notes ... also note at Bar 5, the phrase Beethoven introduces is an unusually weird seven-bars long, instead of eight!
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