CCXXII. BACH, J.S. (1685-1750)
When Bach stole, he stole from the very best: himself.
A good decade separates the originals from this magnificent reworking. Let's take a look:
First Movement
BWV 1053:
The concerto is moved up a whole tone, and the ripieno is decorative. The solo harpsichord soon takes off on its own:
This siciliana is taken from the second alto aria in BWV 169. It is one of the most beautifully-spun of all of Bach's melodies:
BWV 1053:
Third Movement
BWV 1053:
Notice the solo part, arpeggiating in 16th-note triplets down and up immediately!
For more detailed analysis see here.
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