CDXLV. GLAZUNOV, Alexander (1865-1936)
It is interesting to experience the music of a very young Glazunov. Steeped in the music of his elders -- particularly his teacher, Rimsky-Korsakov -- and eventually becoming second only to Tchaikovsky as a master of Russian formal ballet, Glazunov is here still experimenting and, frankly, copying.
The suite may have started as a set of piano variations as early as 1880, and later orchestrated into its present form.
1. Introduction et danse rustique
Stately and elegant; then a dizzying, beautifully orchestrated "rustic" dance.
2. Intermezzo scherzando
As Spock might say: fascinating!
Does this remind you of something?
maybe 2nd movement of Beethoven's Ninth [see Post C]???
Yes, it's derivative, but delightful. The trio is in 5/8 ...
Later, Glazunov switches back and forth between both time sigs:
and ends it imaginatively:
3. Carnaval
4. Pastorale
5. Danse orientale
6. Élégie
Cleverly rearranging the rhythm (2+2+2+3+3):
7. Cortège
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