XCVI. DVOŘÁK, Antonín (1841-1904)
As a youngster, this was in our permanent book in the Pittsburgh Youth Symphony, and I always rejoiced when we got a chance to play it.
Dvořák uses every instrument in the orchestra and gives them great things to do. Almost everyone gets a solo, or at least a prominent role somewhere.
First movement
The first theme in G minor is stately and grave. But it soon gives way to the second line in major -- a bird-call on the flute -- the symphony is full of Bohemian pleasures like that.
Second movement
Dark and mysterious turns into sunshine. The lush harmonies and varied orchestration make for a gorgeous slow movement.
Third movement
Picture beautifully-dressed people waltzing in a ballroom. I always do.
Fourth movement
One of my favorite conductors, Czech-born Rafael Kubelik said:
"Gentlemen, in Bohemia the trumpets never call to battle -- they always call to the dance!"
After the trumpet fanfare, the theme begins slowly and softly, but the by the end of the movement it is a triumphant, happy shout-out.
Honeck and Frankfurt are extraordinary. I like the way the timpanist keeps his wallet on the unused large drum.
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